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He escapes The Forge, but Dolores already activated the failsafe mechanism that floods the entire Valley Beyond, leading to the aftermath seen in the season premiere.īack at the Mesa, Elsie (Shannon Woodward) tries to cut a deal with Charlotte Hale (Tessa Thompson), but Hale simply kills Elsie instead.
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Dolores would rather burn everything down, however, and in order to stop her from deleting everything and everyone, Bernard shoots and kills her on the spot. When they walk through it, the hosts’ minds are uploaded into their new virtual home, where they can be safe from humanity’s meddling.īernard kills Dolores to save the other hostsĪfter The Door is opened, members of the Ghost Nation tribe and other hosts begin uploading themselves in earnest. Opening the fabled “Door” that has been discussed all season actually amounts to activating a massive virtual portal in the Westworld park, one that only hosts can see. Dolores and Bernard head down to The Forge’s control center, which Bernard discovers also houses a virtual “new world” that the hosts can upload themselves into. There he’s met by Dolores (Evan Rachel Wood) and the Man in Black - though the latter is quickly incapacitated. Unwind all the story threads, reshuffle them into some semblance of linear order, and the water cooler summary goes like this: Bernard makes it to The Valley Beyond, which is home to The Forge, a secret facility where all of the digital copies of the park’s guests have been stored. The Westworld Spoilers Club was built around the idea of digging into one specific reveal from each episode this season, but given how much ground “The Passenger” covers, it’s best to take a big-picture view. To top it all off, it ends with the most mind-bending - or is that obnoxious? - post-credits scene in quite some time. It ties up a lot of loose story threads while leaving some major questions unanswered, and does its best to set the stage for the show’s already announced third season. “The Passenger” is part philosophy course and part magic trick, with a healthy dose of The Matrix Reloaded thrown in for good measure. But all that pales in comparison to the amount of narrative sleight of hand and fragmented storytelling that the second season finale squeezes into its 90-minute runtime. There’s been a lot to unpack, even for a show that embraces puzzle box sensibilities as much as Westworld. And the Man in Black (Ed Harris), the show’s sturdy antihero, had gone increasingly mad on his search for “The Door,” until he actually killed his own daughter and began to question whether he was a host himself. didn’t just buy Westworld because it wanted to get into the theme park business it wanted to use host technology to create replicants of actual human beings, allowing the company to sell immortality to the highest bidder.
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Robert Ford (Anthony Hopkins), it turned out, was still alive(ish), and his consciousness was uploaded to a vast computer simulation called The Cradle. Heading into the second season finale of Westworld, audiences had already been treated to subreddits of twists, reveals, and switcheroos. Either way, we’re going to spoil the hell out of it. In other weeks, it might be something subtle. Some weeks, it might be a huge plot twist. That’s why for the show’s second season, I’ll be diving into one particular spoilery revelation from each episode, to figure out what it means, how we got here, and where things might go in the episodes to come.
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Watching Westworld is like peeling an onion, one layer at a time. It’s also become famous for its reveals, from mind-bending bombshells that link two characters to simple pieces of backstory that bring new insight to a storyline. HBO’s science fiction drama Westworld isn’t just known for its talented cast and its philosophical musings about the nature of reality.